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【悲憤のシェイクスピア〜Sonnet 66をジャズで朗唱】 Indignant Shakespeare — Reciting Sonnet 66 in Jazz

  全てに疲れ切って……  400年前も現在も変わらぬ世情。加えて、酷暑(摂氏40℃)に迫る暑さがアパシーを増幅する。こうなると、もはや怒る気は失せ、気休めに吹き付ける微風に身を任せるように軽快なジャズ朗唱でも試みるか、と作ったのが、今回の「ジャズ・シェイクスピア ソネット66」。ご視聴頂ければ幸いです。 “Tir’d with all these...” The world, it seems, has changed little over the past four hundred years. And now, with the scorching heat approaching 40°C, even apathy grows heavier. At such a point, one no longer feels much like getting angry. Instead, as if surrendering oneself to a faint breeze blowing only for comfort, I found myself trying a light jazz recitation. That is how this piece, Jazz Shakespeare: Sonnet 66 , came into being. I hope you will enjoy it.

【八代亜紀・舟唄に学ぶ〜装い新たに】『山茶花(さざんか)』

 大昔、太鼓と共に歌ったことのある詩を再現。

 尺八、アコギ、ストリングスで演出。編集には、八代亜紀の「舟唄」を何度も聞いて学ぶ。

編曲の力は絶大。まさに生殺与奪、その詩、曲を生かすも殺すもアレンジ次第と痛感させられた。


 I recreated a poem I once performed long ago, singing it alongside taiko drums. This time I arranged it with shakuhachi, acoustic guitar, and strings. While editing, I studied by listening to Yashiro Aki’s “Funauta” over and over. (Yashiro Aki is the late Japanese Singer.)The power of arrangement is immense—truly a matter of life and death. It made me realize, painfully, that whether a poem or song is brought to life or ruined depends on the arrangement.




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