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【文語のエロティシズム】〜蒲原有明『有明集』から「愛欲の詩 四篇」を。

  文語(明治期)の色気を求めて土井晩翠から探索を始めたが、「詩人」のバロディーが浮かんだだけで、格調高いがエロティシズムは残念ながら見出せず、続く詩人として「蒲原有明」を読んでみた。  複雑な語彙やリズムを駆使した象徴派詩人として、『独絃哀歌』『春鳥集』『有明集』などを発表。薄田泣菫と併称され、北原白秋、三木露風らに影響を与えた。   蒲原有明(Wikipedia)  死とエロスの香り漂う「われ迷ふ」を作曲してみたが歌で終わるのが物足りなく、朗読することに。  文語の色気をご堪能あれ。 **The Eroticism of Literary Japanese** — Four Poems of Desire from Kambara Ariake’s *Ariake-shū* In search of the sensuality of Meiji-period literary Japanese, the exploration began with Doi Bansui. But aside from the parody “The Poet,” what emerged was grandeur and dignity rather than eroticism. So the search moved on to Kambara Ariake, one of the major poets who emerged after Doi Bansui. A Symbolist poet known for his intricate vocabulary and rhythms, Ariake published such collections as *Dokugen Aika*, *Shunchōshū*, and *Ariake-shū*. Often mentioned alongside Susukida Kyūkin, he went on to influence poets including Kitahara Hakushū and Miki Rofū. from "Kambara Ariake (Wikipedia)"  蒲原有明(Wikipedia) A musical setting was first made f...

【クリスマスは孔雀の聖歌で〜W.B.イェイツ「孔雀」】A poetry chant for Christmas Eve. “The Peacock” by W. B. Yeats

  本日はクリスマスイブ。七面鳥がふさわしいところだが、父親の県展入選の写真を使わせてもらうことにして、孔雀でお許しください。真っ白の羽の孔雀だが、動画制作中、彩色の誘惑に駆られ、ヴィジュアルに傾いてしまった。まあ、クリスマスでもあるし、美を意識してのこととご勘弁ください。 戦後80年も、残すところ一週間。戦闘機の代わりに「熊」が襲来する一年だった。来年こそ、まともな年になりますように。。。  

 動画の詩「孔雀」は、W .B.イエーツ、中期の詩集「レスポンシビリティーズ」所収。世俗的な富より美こそ、と謳う。グレゴリオ聖歌などとても歌えないが、たまには美しいものを、と原文の美麗さに乗って口ずさんだもの。お気に召していただければ幸い。


 Today is Christmas Eve.

 A turkey would be more appropriate, perhaps, but instead I have borrowed a photograph by my father—one that was once selected for a prefectural exhibition—and ask your forgiveness for presenting a peacock instead. This peacock, with its pure white feathers, was meant to remain unadorned. Yet during the process of making the video, I found myself tempted by color, and the work gradually leaned toward the visual. Since it is Christmas, I hope you will allow this indulgence as an offering to beauty.

 Eighty years since the end of the war, with only one week left in the year. It has been a year in which “bears,” rather than fighter jets, came rushing toward us. May the coming year finally be a decent one. The poetry film “The Peacock” is based on a poem by W. B. Yeats, included in his mid-career collection Responsibilities. It sings of beauty as something that surpasses worldly wealth. I cannot claim to sing Gregorian chant, but from time to time, one wishes simply to dwell in something beautiful. Guided by the elegance of Yeats’s original language, I found myself softly chanting the poem.

    If this work brings you even a small moment of pleasure, I would be glad.






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