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【Dance for the Cash -The Sonnet】〜Thinking about mass manipulation / ダンス・フォー・ザ・キャッシュ 大衆操作についての詩を詠む

   After watching the news about all the commotion, I had a thought.   Perhaps the people causing such an uproar are being staged. Perhaps there is someone behind them, inciting them. By deliberately creating chaos in society and encouraging division, such a person can ultimately reign supreme. This is a cunning form of mass manipulation that cares nothing for right or wrong. I wrote these verses to reflect this hopeless reality.   騒ぎのニュースを見て、思った。騒いでいる連中は、もしかすると、「やらせ」ではないのか、と。その背後に、彼らを嗾ける者がいるのではないか、と。そのように世の中にカオスを(人為的に)起こさせ、分断を促し、その上に自身が君臨する。正邪の如何を問わぬ、狡猾な大衆操作。度し難い現実を詠んだ。

【誤字熟語/Typo Tropes~Definition of word】レプ離婚(れぷりこん)“Repli-Gone” JP & EN Version

【誤字熟語/Typo Tropes~Definition of word】レプ離婚(れぷりこん)“Repli-Gone” JP & EN Version

 日本語の慣用句を言葉遊びのように言い換えて、俳句(川柳)で世相を描こうとする詩的試みです。英訳とともにお楽しみください。


This is a poetic attempt to depict the state of the world with its haiku (senryu), by paraphrasing Japanese idioms like wordplay. Please enjoy it together with the English translation.


【レプ離婚】

 「rep(レプ)」、つまり、「複製」「複写」「繰り返し」をする・させる・させられることに対して三行半を突きつけるだけでなく、「離婚」などというネガティブなレッテルに尻込みするでなく、堂々と「ボッチ」を誇り、とかく同調圧力--その多くが事の真偽・正邪より、体面・利害に重きを置く危険で稚拙な精神性--に蝕まれがちなテレビ大好きっ子たち--その多くが、戦後の高度経済成長を支えてきた従順・勤勉なクレージー・キャッツ世代--の、哀れなほど「長い物には巻かれろ」魂の蒙を啓く、実に救世主的なソーシャルかつパーソナルな距離感との契り。


添いトゲの

床にお別れ

レプ離婚


“Repli-Gone” 

  We not only serve a final notice of divorce to “Rep”—referring to “replication,” “duplication,” and “repetition,” whether doing, having someone do, or being made to do—but also embrace the label of “divorce” without fear, proudly upholding solitude as something to be celebrated, standing against the kind of social pressure that, more often than not, is driven by a dangerous and immature mindset that prioritizes appearances and self-interest over truth or morality, the same pressure that tends to affect TV-loving individuals, particularly those from the Crazy Cats generation, who obediently and diligently supported Japan’s postwar economic growth but now tragically embody a pitiful mentality of “follow the leader, no matter what,” and what we seek is to awaken them by choosing to make a truly messianic sense of social and personal distance our companion. 


Farewell to the bed 

Of spikes we once shared in pain. 

Repli-Gone, vax free.


【Note】

The term "Repli-Gone," used in the essay and haiku, is a play on words, combining "Rep"—short for replication, duplication, or repetition—with the concept of "divorce" (離婚, りこん in Japanese). This expresses a symbolic break from cycles of repetition, both in personal and social contexts. The haiku's closing line, "Repli-gone, vax free," further emphasizes this separation in a satirical way.






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